This chair combines the perfect amount of functionality and ornamentation in my opinion |
Post Modernism also used symbolism to help bridge the gap between different speaking countries - thus it became another international style. These symbols were not necessarily new innovative symbols - they were inspired by the early modern movements like Charles Jenks' Sun table and Chairs (chair pictured below) is inspired by Art Deco.
The symbolism in this chair is reminiscent of certain Art Deco Patterns |
By the 1980s Post Modernism was the most influential design movement, it still had the colourful spontaneity of the 60s but when the 1990 global recession hit designers started using cheaper materials in order to keep Post Modernism widely accessible and thus it entered its minimalist phase where designers kept everything plain and simple such as Aldo Rossi's Conicle kettle for Alessi
Plain and simple yet still not common - the very ideal of Post Modernism |
Charlotte & Peter Fiell, 2012. Design of the 20th Century (25). Edition. Taschen.
Thomas Hauffe, 2001. Design: From the Industrial Revolution to the 21st Century (Flipguides). Edition. Dumont Monte.
Unknown , (1985), Norbert Berkhof's Frankfurter FIII chair for Draenert [ONLINE]. Available at:http://www.edilportale.com/immagini/prodotti-thumb/b_prodotti-45929-rela597ae79-1fc5-ee2f-42ea-92fe5905fb63.jpg [Accessed 20 December 13].
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