the earliest to contain the idea of form follows function,which was to be defining ideal in the Bauhaus not 2 years later. The designers wanted to create functional good designs which could still be considered appealing to look at.
It all started in 1917 when a group of Dutch architects, designers and artists released a journal entitled De Stijl. This magazine quickly became something similar to a modern day blog as it became a forum for art and design debates, constantly gaining new followers. This magazine featured the works of all the avant-garde movements which were popular at the time namely the Russian Constructivists, the Italian Futurists, and the Dadaists.
De Stijl was aimed at trying to find a unity in the arts and a quest for harmony and order through the use of a universal language of form. They wanted to reject all form of representation of nature and wanted to create a language of abstracted cubism which Piet Mondrian liked to call Neo Plasticism. They believed that this harmony which they sought would bring enlightenment to humanity.
REFERENCES:
Charlotte & Peter Fiell, 2012. Design of the 20th Century (25). Edition. Taschen.
Thomas Hauffe, 2001. Design: From the Industrial Revolution to the 21st Century (Flipguides). Edition. Dumont Monte.
N/A, (2009), N/A [ONLINE]. Available at: http://jamshadarshad.files.wordpress.com/2011/10/destijl-large_o.jpg [Accessed 16 November 13].
Piet Mondrian , (1931), Tableau 2 [ONLINE]. Available at:http://pessimiss.files.wordpress.com/2011/06/mondrian-tableau-11-1921-5.jpg [Accessed 16 November 13]
Gerrit Reitveld, (1924), Schroeder House Interior [ONLINE]. Available at: http://ad009cdnb.archdaily.net/wp-content/uploads/2010/12/1293607917-schroder30.jpg [Accessed 16 November 13].
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