Friday, 24 January 2014

Final Essay - Coco Chanel and Emilio Pucci

For my final essay’s designer I decided to discuss the monumental workings of two fashion designers by the names of Coco Chanel and Emilio Pucci. Collectively, these two designers turned the fashion world on its head during their respective times and are still two of the biggest names in the fashion industry.

1. Coco Chanel


Gabriel ‘Coco’ Chanel was born in 1883, despite being born in a well-off family she had a hard life of rejection and feeling like an outcast simply because she did not like the tight feel of a corset around her waist and did not think women should be constricted in such a way. The men in her life were hugely influential to her especially Etienne Balsan whom she borrowed her first suit she went out in public with, Arthur ‘Boy’ Capel who would go on to finance her first store, and Hugh Grosvenor the 2nd Duke of Westminster who through a visit to Scotland introduced her to the tweed fabric. 


2. Audrey Hepburn wearing
the little black dress 

Along with tweed, Chanel constantly used Jersey in her designs. Originally this was through a need to keep her clothes cheap in order to sell, however even after her business became profitable she kept using this fabric because of the way it draped easily and it was easily suited to her designs. Chanel was the first designer to design a suit for women and ‘The Chanel Suit’ is still a design classic to this day, however Chanel was also the woman who invented the Little Black Dress, which to this day remains as a must have staple in every woman’s closet from the moment they hit their mid-teens.
3. The Chanel Suit








Unfortunately, Chanel had to close down her boutique in 1939 when France declared that it was entering war with Germany. After the war, Christian Dior was gaining momentum with his full skirts and clinched in waists but Chanel was not about to give up without a fight. She released her comeback collection in 1953 and although it took her a while to regain what she had lost, she did it and kept on working until the day she died in 1971. After her death it took 12 years for the company to find a successor in Karl Lagerfeld who did not take this position lightly as one can see from his portfolio.




4. Emilio Pucci 

Another fashion pioneer of his time was Emilio Pucci who found his fame purely coincidentally after designing a skiing suit for a friend and it was photographed in Harper’s Bazaar. H eventually set up his fashion house in 1947. After the onslaught of the war, the world was starving for a new outlet and for Pucci this was colour. Inspired by the Psychedelic side of Pop design he started including lavish prints in his designs.







6. Pucci Patterned Scarf
                5. Pucci Bubble Helmet                                                                   


7. Pucci Capri Pants
His prints were not the only ingenious idea he had. He is also credited with creating the first Capri pants which were so-called because they were released from his design house on the island of Capri, Italy. He also marketed the jet-setting culture.  This was not only through his photo shoots advertising his designs having tropical Mediterranean backdrops but also because of his constant use of stretch fabrics and wrinkle-free silk, which made his designs the must have clothes for anyone who travelled on a regular basis such as air-hostesses and celebrities. Another invention aimed at the jet-setting crowd was his revolutionary bubble helmet which was basically a clear plastic hood designed to be worn on the runway, or any wide open spaces, to keep hairstyles intact.

For his work in patterns, Emilio Pucci was eventually dubbed the ‘Prince of Prints’ by the international fashion press and also kept working until he died in 1992 when his daughter took over the throne of the design house to follow in the footsteps of her father. Since then the label has seen designers such as Christian Lacroix, Matthew Williamson and most recently Peter Dundas.





It is clear that, although they came from different countries and backgrounds, both Coco Chanel and Emilio Pucci worked to liberate the woman, one from the corset the other from the serious effects which the war had inflicted on them. Their designs remain up to this day classic symbols of luxury for many people. 



BIBLIOGRAPHY:

Gabrielle "Coco" Chanel (1883–1971) and the House of Chanel | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art. 2014. Gabrielle "Coco" Chanel (1883–1971) and the House of Chanel | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art. [ONLINE] Available at: http://www.metmuseum.org/toah/hd/chnl/hd_chnl.htm. [Accessed 24 January 2014].

Emilio Pucci. 2014. Emilio Pucci. [ONLINE] Available at: http://mobile.emiliopucci.com/about#post-216. [Accessed 24 January 2014].

Vintage Fashion Guild : Label Resource : Pucci, Emilio. 2014. Vintage Fashion Guild : Label Resource : Pucci, Emilio. [ONLINE] Available at: http://vintagefashionguild.org/label-resource/pucci-emilio/. [Accessed 24 January 2014].

The history of luxury travel - Emilio Pucci - A Luxury Travel Blog. 2014. The history of luxury travel - Emilio Pucci - A Luxury Travel Blog. [ONLINE] Available at: http://www.aluxurytravelblog.com/2013/05/02/the-history-of-luxury-travel-emilio-pucci/. [Accessed 24 January 2014].

Unknown, (2014), Coco Chanel [ONLINE]. Available at: http://www.thephotodiner.com/blog/wp-content/uploads/2013/03/Coco-Chanel.jpg [Accessed 24 January 14].

Unknown, (2014), The Little Black Dress (worn by Audrey Hepburn in Breakfast at Tiffany's) [ONLINE]. Available at: http://stylesociety.co.za/wp-content/uploads/2011/04/little-black-dress.jpg [Accessed 24 
January 14].

Unknown, (2014), The Chanel Suit [ONLINE]. Available at: http://farm8.staticflickr.com/7020/6810656801_490e59f4c7_z.jpg [Accessed 24 January 14].

Unknown, (2014), Emilio Pucci [ONLINE]. Available at: http://images2.pucci-media.com/Uploads/Image/emilio_pucci_portrait.jpg [Accessed 24 January 14].

Unknown, (2014), Emilio Pucci Patterned Scarf [ONLINE]. Available at: http://www.vanessacamara.com/wp-content/uploads/2012/01/Emilio-Pucci-Scarf-7586701.jpg [Accessed 24 January 14].

Unknown, (2014), Emilio Pucci Bubble Helmet [ONLINE]. Available at: http://blogs.airspacemag.com/daily-planet/files/2012/01/S.404.p6-P_640.jpg [Accessed 24 January 14].

Unknown, (2014), Emilio Pucci Capri Pants [ONLINE]. Available at: http://cache.theoutnet.com/images/products/88859/88859_bk_xl.jpg [Accessed 24 January 14].

Sunday, 19 January 2014

Presentation

For our third task, we had to join in groups and choose a design style or movement to present to the class. We had to talk about past inspirations which the movement drew on as well as the inspirations of the time such as art movements which were dominant at the same time. Along with what was going on in the culture and society and in what context it fits with design.

I finished this task with Angie Cremona available here: https://plus.google.com/u/0/108307144731576725505/posts, Nicole Marie Park, available here: http://nicolempark.blogspot.com/, and Mariana Spiteri available here: http://spiterimariana.blogspot.com/ 























Final Chart

So after I had finished all my research all I had left to do was construct the chart.

The first thing I did was to print out all the pictures and headings and cut them out as neatly as I could


The size of the finished chart had to be A2 but this was going to prove hard as it wouldn't  have provided me with enough space for all my pictures. In order to fix this, I bought two marbled corrugated card boards. 

On one cardboard I stuck a row of coloured paper towards the top. This would serve as a background for the historical influences. I took the second cardboard, placed it face down on the first and aligned one of the longer ends along the bottom of the row of coloured papers. I bent the remaining part of the cardboard so that the first board overlapped over the second and this would later help me fold it so that the final closed size would be A2.

I started chronologically from the Arts and Crafts Movement, sticking the pictures. Because it was corrugated card board I had to do something to keep the pictures from falling off. I took a clean paper towel and carefully pressed the pictures so that the corrugated texture could still be felt through the pictures. This helped the glue stick both to the picture and the card board even in the 'valleys' of the board. 


This is my final outcome:


to finish it off I took a scrap piece of paper, wrote my name and course information and stuck it on in the remaining space.


Thursday, 9 January 2014

Chart: Pop Design

For my final chart design movement I will be discussing:

Pop Design 1958 - 1972

Inspired by Art Nouveau

- Although Pop Design is pretty much a stand alone design style - it took inspiration from a lot of styles and movements which came before it such as Art Nouveau, Art Deco and The Bauhaus


- It broke all the rules of function which had been established before. Less is More (from the Bauhaus) became less is a bore.

Roy Lichtenstein 
Andy Warhol
















Op Art 
- In terms of art, Pop art was the defining style of the time and it also served as a huge inspiration for Pop Design. Two notable artists are Andy Warhol and Roy Lichtenstein. Another popular art style that affected this design style was Op art. 
















- One very important designer of the time was Verner Panton - his ideas transcended barriers. His most famous design - the cantilever chair - seems to have been inspired by Mies van der Rohe's own cantilever chair.

















- In terms of context, one very important landmark event which affected the designs heavily was America's landing on the moon in 1969. This inspired designs such as the space helmet TV and Radio and the Lava lamp.














- The Ball chair and the Egg chair are also two design icons of this era.

REFERENCES:

Thomas Hauffe, 2001. Design: From the Industrial Revolution to the 21st Century (Flipguides). Edition. Dumont Monte.

Charlotte & Peter Fiell, 2012. Design of the 20th Century (25). Edition. Taschen.

Saturday, 4 January 2014

Chart: Bauhaus

I have to admit that everything is starting to make more sense now that I have the time to research these movements more. When it came to choosing my 5 Movements I tried to kill two birds with one stone by choosing one movement towards the beginning of the idea of design and one movement as close as today as possible and three movements in between that explained clearly all the changes that went on.

So the next movement I will be talking about is:

Bauhaus 1919 – 1933
Bauhaus Logo
It was one of the most influential movements of the time.

Deutscher Werkbund


De Stijl
Constructivism













Futurism 

Streamlining





















- Was inspired by other movements such as the Deutscher Werkbund, De Stijl, Constructivism, Streamlining & Futurism 
Ludwig Mies van der Rohe
Cantilever Chair














Kettles for AEG

Peter Behrens







Walter Gropius 







Bookshelf













Three very important designers from this movement were Walter Gropius, Peter Behrens and Ludwig Mies van der Rohe - the latter of which designed the cantilever chair which was to later inspire Verner Panton during Pop Design. Two very important phrases which are associated with the Bauhaus are Less is more and Form follows Function which was inspired by both A.W.N. Pugin and William Morris.


- Was shut down when Hitler rose to power in Germany 


REFERENCES:
Thomas Hauffe, 2001. Design: From the Industrial Revolution to the 21st Century (Flipguides). Edition. Dumont Monte.

Charlotte & Peter Fiell, 2012. Design of the 20th Century (25). Edition. Taschen.